Egor George Kraft
Diminutive: Egy, [ˈɛd͡ʒi], phonetic approximation of 'E.G.'
Japanese: kanji 映治 久羅府斗; kana エジ クラフト
Born in St.Petersburg; spent his youth leading a highly mobile life in Western Sweden, Moscow, Vienna, Berlin, and London; since 2022 divides his time between two studios in Tokyo and Vienna.
Contact email: mail/at/kraft.studio
Linktree page: krft.id ↗
Portrait: downloads page
Handle: @krft
Socials: Instagram ↗ Vimeo ↗ Bluesky ↗ Twitter ↗ Mastodon ↗ Substack ↗ LinkedIn ↗
Egor G. Kraft is an artist, thinker, filmmaker and critical designer whose work acknowledges the disrupted modern condition as a consequence of radical techno-cultural planetary reconfiguration. He lives a mobile life, splitting his time between western Europe and eastern Asia, with homes in Tokyo and Vienna, as well as deep ties to London and Berlin.
Kraft acquired his education from Gerlesborgsskolan School of Fine Art (Gerlesborg, SE), Rodchenko Art School (Moscow, RU), Academy of Fine Arts (Vienna, AT), Central Saint Martin’s College (London, UK) and ‘The New Normal’ at Strelka Institute (Moscow, RU). He was a research fellow at the University of Southampton (Southampton, UK) and Geidai University (Tokyo, JP). Kraft's multi-award winning work has exhibited worldwide, including festivals Ars Electronica (Linz, AT), Siggraph Asia (Tokyo, JP), Impakt Festival, (Utrecht, NL), WRO Biennial (Wroclaw, PL), and such institutions as ZKM (Karlsruhe, DE), MAXXI (Rome, IT), Jeu De Paume (Paris, FR), Onassis Foundation (Athens, GR), Hermitage Museum (St. Petersburg, RU), Espacio Fundación Telefónica (Madrid, ES), iMAL (Brussels, BE) and many other museums and galleries. Kraft is the recipient of the 2023 Lumen Prize (UK), the 2022 New Technological Art Award (BE), the 2023 S+T+ARTS Prize honourable mention (EU), the 2022 Austrian Blockchain Award (AT), and numerous other awards and nominations. He is a lecturer at European and Asian universities, author of publications and speaker at international conferences, including Art Machines 2 (Hong Kong, CN), Politics Of The Machines (Berlin, DE), Ethics & Aesthetics of Artificial Images (Venice, IT) and other conferences.
Egor George Kraft
Born in St.Petersburg, Russia; since a young age lived a highly mobile life in Western Sweden, Moscow, Vienna, Berlin, and London; since 2022 divides his time between two studios in Tokyo and Vienna and frequently travels with exhibitions and projects.
Contact email: mail@kraft.studio
Linktree page: krft.id
Socials: @krft
Egor G. Kraft is an artist, thinker, filmmaker and critical designer whose work acknowledges the disrupted modern condition as a consequence of radical techno-cultural planetary reconfiguration. He lives a mobile life with home and studio in Tokyo, as well as deep ties to Vienna, London and Berlin.
Kraft acquired his education from Gerlesborgsskolan School of Fine Art (Gerlesborg, SE), Rodchenko Art School (Moscow, RU), Academy of Fine Arts (Vienna, AT), Central Saint Martin’s College (London, UK) and ‘The New Normal’ at Strelka Institute (Moscow, RU). He was a research fellow at the University of Southampton (Southampton, UK) and Geidai University (Tokyo, JP). Kraft's multi-award winning work has exhibited worldwide, including Ars Electronica Festival (Linz, AT), Siggraph Asia (Tokyo, JP), Impakt Festival, (Utrecht, NL), WRO Biennial (Wroclaw, PL), The 10'th Beijing Biennale (Beijing, CHN), AI Art Festival (Hong Kong, China) and such institutions as ZKM (Karlsruhe, DE), MAXXI (Rome, IT), Jeu De Paume (Paris, FR), Onassis Foundation (Athens, GR), Hermitage Museum (St. Petersburg, RU), Espacio Fundación Telefónica (Madrid, ES), iMAL (Brussels, BE) and many other international museums and galleries. Kraft is the recipient of the 2023 Lumen Prize (UK), the 2022 New Technological Art Award (BE), the 2023 S+T+ARTS Prize honourable mention (EU), the 2022 Austrian Blockchain Award (AT), and numerous other awards and nominations. He is a lecturer at European and Asian universities, author of publications and speaker at international conferences, including Art Machines 2 (Hong Kong, CN), Politics Of The Machines (Berlin, DE), Ethics & Aesthetics of Artificial Images (Venice, IT) and other conferences.
Kraft’s research-driven practice encompasses thought-objects, AI models, data-monuments, films, essays, hardware contraptions, web-based executions, virtu-real embodiments, investigative inquiries, hacktivist interventions, speculative proposals, hyper-poetry, and more. It is rooted in the recognition that modernity is shaped by industrial conditions such as accelerating ubiquitous computing, emerging synthetic cognitive infrastructures, surging data-mineral-energy extractive regimes, recursive predictions and simulations in algorithmic organisations of markets and infoscapes, ever-increasing logistical capacities for matter, information, and scaling material and virtual infrastructures, the emergence of proliferating non-human agencies as radically different inhabitants, and advancements in bio-genetic engineering – followed by crises of governance, unceasing techno-geopolitical frictions, and failing socioeconomics. This turbulence signals a transition to a new industrial, or even geological, epoch. Some view these developments as fundamentally anti-life; others see them as the natural and inevitable intensification of life’s own unrolling dynamism. These shifts prompt questions: What do we define as human, and what is its role in this unfolding context? What is autonomy, and how does the context enable coexistence? Do human-centric value models constrain imaginaries and trajectories beyond the human? Which of those trajectories do we want and need, if any? And how can research and practice, largely embedded in cultural domains, study and address these questions, work with them, and articulate emerging, undefined notions that demand not only new vocabulary but entirely new sociotechnical imaginaries?
2022-2023
Geidai University of the Arts, Visting Researcher at Intermedia Arts department | Tokyo, JPN
2017
Strelka Institute: The New Normal, PgD Postgraduate research programme, dir. Benjamin H. Bratton | Moscow, RUS
2014-2015
Central Saint Martins College, UAL, BA (Hons) Fine Arts, track 4D | London, GBR
2011-2016
Academy of Fine Arts, MFA Mag. in Arts & Digital Media | Vienna, AUT
2009-2011
The Rodchenko Art School, BFA, Media Art, Class prof. Alexei Shulgin | Moscow, RUS
2007-2008
The Gerlesborg School of Fine Art, Foundation studies | Bohuslän, SWE
1998-2004
Art School №1, Prelimiary Artistic Studies | St. Petersburg, RUS
2023
AETeCHO, Milan, Zaragoza | ITA, ESP
Escape Fake 2.0 co-funded by the European Union and the European Media and Information Fund | AUT, HUN
2021
BMKÖS Perspektiven. Innovation. Kunst | AUT
2019
Garage, Art & Technology Programme | RUS
2019
STARTS Residencies | EU, GBR
2017
OeAD, International Exchange | AUT
2015
OeAD, International Exchange | AUT
2025
Cognitectures & Datatopias | School of Creative Arts, Beijing Institute of Financial Technology, Beijing, CHN
2024
Keynote at the Field of Art & Design for Spatial Experience Department | Joshibi University, Tokyo, JPN
Playshop | China Academy of Arts, Hangzhou, CHN The Epoch of Transformative Technologies | Hangzhou, CHN
2023
University of Art & Design Linz | Kunstuniversität Linz, AUT Department: Institut für Medien & Visuelle Kommunikation Course leader: Art and image production in the context of Al
2022
NECS Lecture Series 'Content Aware and Other Case Studies' | European Network for Cinema and Media Studies
2020
Winchester School of Arts | Talking Heads Lecture Series, GBR
Winchester School of Art | Guest seminar on AI and speculative narratives with AMT Research group prof Jussi Parikka & Ryan Bishop, GBR
ITMO University | St. Petersburg, RUS Art & Science MA programme. Course tutor: The Work of Art in the Age of Algorithmic Reproduction
2017–2022 Artistic & design direction for Ethereum Swarm | A decentralised storage software
ZKM, Center for Art & Media, Karlsruhe, DEU
Colección Solo, Madrid, ESP
Cyland Video Archive, USA/RUS
MAMM Multimedia Art Museum, Moscow, RUS
Ripley’s, Orlando, FL, USA
Sergey Kuryokhin Center for Modern Art, St Petersburg, RUS
2024
Falling Walls | Winner, Art & Science | Berlin, DEU
2023
Lumen Prize | Award Winner | London, GBR
Austrian Blockchain Award | Best Smart Technology | Vienna, AUT
S+T+ARTS Prize Honorary Mention | EU
2022
NTAA: New Technological Art Award | Jury Award Winner | Ghent, BEL
2021
Re:Humanism, 2nd Edition | Winner | Rome, ITA
2020
Top 50 Most Promising Russian Artists by The Art Newspaper
Lumen Prize | Shortlist | London, GBR
Audi Born Digital Award | Nominee | Intl.
49ART Listing | WEB
2019
Kandinsky Prize | Young Artist of the Year Nominee | Moscow, RUS
Garage Museum Art & Technology Grant Winner | RUS/DEU
Innovation Prize | New Generation Nominee | Moscow, RUS
STARTS Residencies fellow | UK/EU
Kuryokhin Prize | Nominee | St Petersburg, RUS
2018
Pulsar Prize Finalist | Paris, FRA
2017
New East 100 by Calvert Journal | London, GBR
Innovation Prize | New Generation Nominee | Moscow, RUS
2015
Nova Art Prize nominee | St Petersburg, RUS
2014
Kuryokhin Prize nominee | St Petersburg, RUS
Creative Enterprise Award | Nominee | London, GBR











































































Egor George Kraft
Diminutive: Egy, [ˈɛd͡ʒi], phonetic approximation of 'E.G.'
Japanese: kanji 映治 久羅府斗; kana エジ クラフト
Born in St.Petersburg; spent his youth leading a highly mobile life in Western Sweden, Moscow, Vienna, Berlin, and London; since 2022 divides his time between two studios in Tokyo and Vienna.
Contact email: mail/at/kraft.studio
Linktree page: krft.id ↗
Portrait: downloads page
Handle: @krft
Socials: Instagram ↗ Vimeo ↗ Bluesky ↗ Twitter ↗ Mastodon ↗ Substack ↗ LinkedIn ↗
Egor G. Kraft is an artist, thinker, filmmaker and critical designer whose work acknowledges the disrupted modern condition as a consequence of radical techno-cultural planetary reconfiguration. He lives a mobile life, splitting his time between western Europe and eastern Asia, with homes in Tokyo and Vienna, as well as deep ties to London and Berlin.
Kraft acquired his education from Gerlesborgsskolan School of Fine Art (Gerlesborg, SE), Rodchenko Art School (Moscow, RU), Academy of Fine Arts (Vienna, AT), Central Saint Martin’s College (London, UK) and ‘The New Normal’ at Strelka Institute (Moscow, RU). He was a research fellow at the University of Southampton (Southampton, UK) and Geidai University (Tokyo, JP). Kraft's multi-award winning work has exhibited worldwide, including festivals Ars Electronica (Linz, AT), Siggraph Asia (Tokyo, JP), Impakt Festival, (Utrecht, NL), WRO Biennial (Wroclaw, PL), and such institutions as ZKM (Karlsruhe, DE), MAXXI (Rome, IT), Jeu De Paume (Paris, FR), Onassis Foundation (Athens, GR), Hermitage Museum (St. Petersburg, RU), Espacio Fundación Telefónica (Madrid, ES), iMAL (Brussels, BE) and many other museums and galleries. Kraft is the recipient of the 2023 Lumen Prize (UK), the 2022 New Technological Art Award (BE), the 2023 S+T+ARTS Prize honourable mention (EU), the 2022 Austrian Blockchain Award (AT), and numerous other awards and nominations. He is a lecturer at European and Asian universities, author of publications and speaker at international conferences, including Art Machines 2 (Hong Kong, CN), Politics Of The Machines (Berlin, DE), Ethics & Aesthetics of Artificial Images (Venice, IT) and other conferences.
Kraft’s research-driven practice encompasses thought-objects, AI models, data-monuments, films, essays, hardware contraptions, web-based executions, virtu-real embodiments, investigative inquiries, hacktivist interventions, speculative proposals, hyper-poetry, and more. It is rooted in the recognition that modernity is shaped by industrial conditions such as accelerating ubiquitous computing, emerging synthetic cognitive infrastructures, surging data-mineral-energy extractive regimes, recursive predictions and simulations in algorithmic organisations of markets and infoscapes, ever-increasing logistical capacities for matter, information, and scaling material and virtual infrastructures, the emergence of proliferating non-human agencies as radically different inhabitants, and advancements in bio-genetic engineering – followed by crises of governance, unceasing techno-geopolitical frictions, and failing socioeconomics. This turbulence signals a transition to a new industrial, or even geological, epoch. Some view these developments as fundamentally anti-life; others see them as the natural and inevitable intensification of life’s own unrolling dynamism. These shifts prompt questions: What do we define as human, and what is its role in this unfolding context? What is autonomy, and how does the context enable coexistence? Do human-centric value models constrain imaginaries and trajectories beyond the human? Which of those trajectories do we want and need, if any? And how can research and practice, largely embedded in cultural domains, study and address these questions, work with them, and articulate emerging, undefined notions that demand not only new vocabulary but entirely new sociotechnical imaginaries?
2022-2023
Geidai University of the Arts, Visting Researcher at Intermedia Arts department | Tokyo, JPN
2017
Strelka Institute: The New Normal, PgD Postgraduate research programme, dir. Benjamin H. Bratton | Moscow, RUS
2014-2015
Central Saint Martins College, UAL, BA (Hons) Fine Arts, track 4D | London, GBR
2011-2016
Academy of Fine Arts, MFA Mag. in Arts & Digital Media | Vienna, AUT
2009-2011
The Rodchenko Art School, BFA, Media Art, Class prof. Alexei Shulgin | Moscow, RUS
2007-2008
The Gerlesborg School of Fine Art, Foundation studies | Bohuslän, SWE
1998-2004
Art School №1, Prelimiary Artistic Studies | St. Petersburg, RUS
2025
Cognitectures & Datatopias | School of Creative Arts, Beijing Institute of Financial Technology, Beijing, CHN
2024
Keynote at the Field of Art & Design for Spatial Experience Department | Joshibi University, Tokyo, JPN
Playshop | China Academy of Arts, Hangzhou, CHN The Epoch of Transformative Technologies | Hangzhou, CHN
2023
University of Art & Design Linz | Kunstuniversität Linz, AUT Department: Institut für Medien & Visuelle Kommunikation Course leader: Art and image production in the context of Al
2022
NECS Lecture Series 'Content Aware and Other Case Studies' | European Network for Cinema and Media Studies
2020
Winchester School of Arts | Talking Heads Lecture Series, GBR
Winchester School of Art | Guest seminar on AI and speculative narratives with AMT Research group prof Jussi Parikka & Ryan Bishop, GBR
ITMO University | St. Petersburg, RUS Art & Science MA programme. Course tutor: The Work of Art in the Age of Algorithmic Reproduction
2017–2022 Artistic & design direction for Ethereum Swarm | A decentralised storage software
ZKM, Center for Art & Media, Karlsruhe, DEU
Colección Solo, Madrid, ESP
Cyland Video Archive, USA/RUS
MAMM Multimedia Art Museum, Moscow, RUS
Ripley’s, Orlando, FL, USA
Sergey Kuryokhin Center for Modern Art, St Petersburg, RUS
2024
Falling Walls | Winner, Art & Science | Berlin, DEU
2023
Lumen Prize | Award Winner | London, GBR
Austrian Blockchain Award | Best Smart Technology | Vienna, AUT
S+T+ARTS Prize Honorary Mention | EU
2022
NTAA: New Technological Art Award | Jury Award Winner | Ghent, BEL
2021
Re:Humanism, 2nd Edition | Winner | Rome, ITA
2020
Top 50 Most Promising Russian Artists by The Art Newspaper
Lumen Prize | Shortlist | London, GBR
Audi Born Digital Award | Nominee | Intl.
49ART Listing | WEB
2019
Kandinsky Prize | Young Artist of the Year Nominee | Moscow, RUS
Garage Museum Art & Technology Grant Winner | RUS/DEU
Innovation Prize | New Generation Nominee | Moscow, RUS
STARTS Residencies fellow | UK/EU
Kuryokhin Prize | Nominee | St Petersburg, RUS
2018
Pulsar Prize Finalist | Paris, FRA
2017
New East 100 by Calvert Journal | London, GBR
Innovation Prize | New Generation Nominee | Moscow, RUS
2015
Nova Art Prize nominee | St Petersburg, RUS
2014
Kuryokhin Prize nominee | St Petersburg, RUS
Creative Enterprise Award | Nominee | London, GBR
2023
AETeCHO, Milan, Zaragoza | ITA, ESP
Escape Fake 2.0 co-funded by the European Union and the European Media and Information Fund | AUT, HUN
2021
BMKÖS Perspektiven. Innovation. Kunst | AUT
2019
Garage, Art & Technology Programme | RUS
2019
STARTS Residencies | EU, GBR
2017
OeAD, International Exchange | AUT
2015
OeAD, International Exchange | AUT










































































Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
mail[at]kraft.studio
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























Site Index





















