About & CV
Egor George Kraft
Short form: Egy, [ˈɛd͡ʒi]
Phonetic Approximation of E.G.
Japanese: 映治 久羅府斗
Born in St.Petersburg, Russia; since a young age lived a highly mobile life in Western Sweden, Moscow, Vienna, Berlin, and London; since 2022 divides his time between two studios in Tokyo and Vienna.
Contact email: mail/at/kraft.studio
Linktree page: krft.id ↗
Portrait: downloads page
Handle: @krft
Socials: Instagram ↗ Vimeo ↗ Bluesky ↗ Twitter ↗ Mastodon ↗ Substack ↗ LinkedIn ↗
Egor G. Kraft is an artist, thinker, filmmaker and critical designer whose work acknowledges the disrupted modern condition as a consequence of radical techno-cultural planetary reconfiguration. He lives a mobile life, splitting his time between western Europe and eastern Asia, with homes in Tokyo and Vienna, as well as deep ties to London and Berlin.
Kraft acquired his education from Gerlesborgsskolan School of Fine Art (Gerlesborg, SE), Rodchenko Art School (Moscow, RU), Academy of Fine Arts (Vienna, AT), Central Saint Martin’s College (London, UK) and ‘The New Normal’ at Strelka Institute (Moscow, RU). He was a research fellow at the University of Southampton (Southampton, UK) and Geidai University (Tokyo, JP). Kraft's multi-award winning work has exhibited worldwide, including festivals Ars Electronica (Linz, AT), Siggraph Asia (Tokyo, JP), Impakt Festival, (Utrecht, NL), WRO Biennial (Wroclaw, PL), and such institutions as ZKM (Karlsruhe, DE), MAXXI (Rome, IT), Jeu De Paume (Paris, FR), Onassis Foundation (Athens, GR), Hermitage Museum (St. Petersburg, RU), Espacio Fundación Telefónica (Madrid, ES), iMAL (Brussels, BE) and many other museums and galleries. Kraft is the recipient of the 2023 Lumen Prize (UK), the 2022 New Technological Art Award (BE), the 2023 S+T+ARTS Prize honourable mention (EU), the 2022 Austrian Blockchain Award (AT), and numerous other awards and nominations. He is a lecturer at European and Asian universities, author of publications and speaker at international conferences, including Art Machines 2 (Hong Kong, CN), Politics Of The Machines (Berlin, DE), Ethics & Aesthetics of Artificial Images (Venice, IT) and other conferences.
Egor George Kraft
Born in St.Petersburg, Russia; since a young age lived a highly mobile life in Western Sweden, Moscow, Vienna, Berlin, and London; since 2022 divides his time between two studios in Tokyo and Vienna and frequently travels with exhibitions and projects.
Contact email: mail@kraft.studio
Linktree page: krft.id
Socials: @krft
Egor G. Kraft is an artist, thinker, filmmaker and critical designer whose work acknowledges the disrupted modern condition as a consequence of radical techno-cultural planetary reconfiguration. He lives a mobile life with home and studio in Tokyo, as well as deep ties to Vienna, London and Berlin.
Kraft acquired his education from Gerlesborgsskolan School of Fine Art (Gerlesborg, SE), Rodchenko Art School (Moscow, RU), Academy of Fine Arts (Vienna, AT), Central Saint Martin’s College (London, UK) and ‘The New Normal’ at Strelka Institute (Moscow, RU). He was a research fellow at the University of Southampton (Southampton, UK) and Geidai University (Tokyo, JP). Kraft's multi-award winning work has exhibited worldwide, including Ars Electronica Festival (Linz, AT), Siggraph Asia (Tokyo, JP), Impakt Festival, (Utrecht, NL), WRO Biennial (Wroclaw, PL), The 10'th Beijing Biennale (Beijing, CHN), AI Art Festival (Hong Kong, China) and such institutions as ZKM (Karlsruhe, DE), MAXXI (Rome, IT), Jeu De Paume (Paris, FR), Onassis Foundation (Athens, GR), Hermitage Museum (St. Petersburg, RU), Espacio Fundación Telefónica (Madrid, ES), iMAL (Brussels, BE) and many other international museums and galleries. Kraft is the recipient of the 2023 Lumen Prize (UK), the 2022 New Technological Art Award (BE), the 2023 S+T+ARTS Prize honourable mention (EU), the 2022 Austrian Blockchain Award (AT), and numerous other awards and nominations. He is a lecturer at European and Asian universities, author of publications and speaker at international conferences, including Art Machines 2 (Hong Kong, CN), Politics Of The Machines (Berlin, DE), Ethics & Aesthetics of Artificial Images (Venice, IT) and other conferences.
Kraft’s research-driven practice encompasses thought-objects, AI models, data-monuments, films, essays, hardware contraptions, web-based executions, virtu-real embodiments, investigative inquiries, hacktivist interventions, speculative proposals, hyper-poetry, and more. It is rooted in the recognition that modernity is shaped by industrial conditions such as accelerating ubiquitous computing, emerging synthetic cognitive infrastructures, surging data-mineral-energy extractive regimes, recursive predictions and simulations in algorithmic organisations of markets and infoscapes, ever-increasing logistical capacities for matter, information, and scaling material and virtual infrastructures, the emergence of proliferating non-human agencies as radically different inhabitants, and advancements in bio-genetic engineering – followed by crises of governance, unceasing techno-geopolitical frictions, and failing socioeconomics. This turbulence signals a transition to a new industrial, or even geological, epoch. Some view these developments as fundamentally anti-life; others see them as the natural and inevitable intensification of life’s own unrolling dynamism. These shifts prompt questions: What do we define as human, and what is its role in this unfolding context? What is autonomy, and how does the context enable coexistence? Do human-centric value models constrain imaginaries and trajectories beyond the human? Which of those trajectories do we want and need, if any? And how can research and practice, largely embedded in cultural domains, study and address these questions, work with them, and articulate emerging, undefined notions that demand not only new vocabulary but entirely new sociotechnical imaginaries?
2024 Institute for Postnatural Studies | Madrid, ESP PgD Postnatural Independent Program
2022-2023 Geidai University of the Arts | Tokyo, JPN Visting Researcher | Intermedia Arts department under supervision of prof. Kiyoshi Furokawa
2017 Strelka Institute: The New Normal | Moscow, RUS PgD Postgraduate research programme, directed by Benjamin H. Bratton
2014-2015 Central Saint Martins College | UAL London, GBR BA (Hons) Fine Arts, track 4D
2011-2016 Academy of Fine Arts | Vienna, AUT MFA Mag. in Arts & Digital Media
2009-2011 The Rodchenko Art School | Moscow, RUS BFA, Media Art | Class prof. Alexei Shulgin
2007-2008 The Gerlesborg School of Fine Art | Bohuslän, SWE Foundation studies
1998-2004 Art School №1 | St. Petersburg, RUS Prelimiary Artistic Studies
2025 Cognitectures & Datatopias | School of Creative Arts, Beijing Institute of Financial Technology, Beijing, CHN
2024 Keynote at the Field of Art & Design for Spatial Experience Department | Joshibi University, Tokyo, JPN
2024 Playshop | China Academy of Arts, Hangzhou, CHN The Epoch of Transformative Technologies | Hangzhou, CHN
2023 University of Art & Design Linz | Kunstuniversität Linz, AUT Department: Institut für Medien & Visuelle Kommunikation Course leader: Art and image production in the context of Al
2022 NECS Lecture Series 'Content Aware and Other Case Studies' | European Network for Cinema and Media Studies
2020 Winchester School of Arts | Talking Heads Lecture Series, GBR
2020 Winchester School of Art | Guest seminar on AI and speculative narratives with AMT Research group prof Jussi Parikka & Ryan Bishop, GBR
2020 ITMO University | St. Petersburg, RUS Art & Science MA programme. Course tutor: The Work of Art in the Age of Algorithmic Reproduction
2017–2022 Artistic & design direction for Ethereum Swarm | A decentralised storage software on an Ethereum blockchain network
ZKM, Center for Art & Media, Karlsruhe, DEU; Colección Solo, Madrid, ESP; Cyland Video Archive, USA / RUS; MAMM Multimedia Art Museum Moscow, RUS; Ripley’s, Orlando, FL, USA; Sergey Kuryokhin Center for Modern Art, RUS
2024 Falling Walls | Winner in the Art & Science category | Berlin, DEU
2023 Lumen Prize | Award Winner | UK
2023 Austrian Blockchain Award in ‘Best smart technology’ | Vienna, AT
2023 S+T+ARTS Prize Honorary Mention | EU
2022 NTAA: New Technological Art Award | Jury Award Winner, BEL
2021 Re:Humanism, 2nd Edition | Winner, ITA
2020 Top 50 Most Promising Russian Artists by The Art Newspaper
2020 Lumen Prize | Shortlisted, GBR
2020 Born Digital Award nominee, WEB
2020 Listed in 49ART
2019 Kandinsky Prize | Young Artist of the Year nominee, RUS
2019 Garage Museum Art & Technology Grant winner, RUS | DEU
2019 Innovation Prize | New Generation nominee, RUS
2019 STARTS Residencies fellow, EU
2019 Kuryokhin Prize nominee, RUS
2018 Pulsar Prize Finalist | Paris, FRA
2017 New East 100 by Calvert Journal, GBR
2017 Innovation Prize | New Generation nominee, RUS
2015 Nova Art Prize nominee, RUS
2014 Kuryokhin Prize nominee, RUS
2014 Creative Enterprise Award nominee | London, GBR


























































































































About & CV
Egor George Kraft
Short form: Egy, [ˈɛd͡ʒi]
Phonetic Approximation of E.G.
Japanese: 映治 久羅府斗
Born in St.Petersburg, Russia; since a young age lived a highly mobile life in Western Sweden, Moscow, Vienna, Berlin, and London; since 2022 divides his time between two studios in Tokyo and Vienna.
Contact email: mail/at/kraft.studio
Linktree page: krft.id ↗
Portrait: downloads page
Handle: @krft
Socials: Instagram ↗ Vimeo ↗ Bluesky ↗ Twitter ↗ Mastodon ↗ Substack ↗ LinkedIn ↗
Egor G. Kraft is an artist, thinker, filmmaker and critical designer whose work acknowledges the disrupted modern condition as a consequence of radical techno-cultural planetary reconfiguration. He lives a mobile life, splitting his time between western Europe and eastern Asia, with homes in Tokyo and Vienna, as well as deep ties to London and Berlin.
Kraft acquired his education from Gerlesborgsskolan School of Fine Art (Gerlesborg, SE), Rodchenko Art School (Moscow, RU), Academy of Fine Arts (Vienna, AT), Central Saint Martin’s College (London, UK) and ‘The New Normal’ at Strelka Institute (Moscow, RU). He was a research fellow at the University of Southampton (Southampton, UK) and Geidai University (Tokyo, JP). Kraft's multi-award winning work has exhibited worldwide, including festivals Ars Electronica (Linz, AT), Siggraph Asia (Tokyo, JP), Impakt Festival, (Utrecht, NL), WRO Biennial (Wroclaw, PL), and such institutions as ZKM (Karlsruhe, DE), MAXXI (Rome, IT), Jeu De Paume (Paris, FR), Onassis Foundation (Athens, GR), Hermitage Museum (St. Petersburg, RU), Espacio Fundación Telefónica (Madrid, ES), iMAL (Brussels, BE) and many other museums and galleries. Kraft is the recipient of the 2023 Lumen Prize (UK), the 2022 New Technological Art Award (BE), the 2023 S+T+ARTS Prize honourable mention (EU), the 2022 Austrian Blockchain Award (AT), and numerous other awards and nominations. He is a lecturer at European and Asian universities, author of publications and speaker at international conferences, including Art Machines 2 (Hong Kong, CN), Politics Of The Machines (Berlin, DE), Ethics & Aesthetics of Artificial Images (Venice, IT) and other conferences.

Kraft’s research-driven practice encompasses thought-objects, AI models, data-monuments, films, essays, hardware contraptions, web-based executions, virtu-real embodiments, investigative inquiries, hacktivist interventions, speculative proposals, hyper-poetry, and more. It is rooted in the recognition that modernity is shaped by industrial conditions such as accelerating ubiquitous computing, emerging synthetic cognitive infrastructures, surging data-mineral-energy extractive regimes, recursive predictions and simulations in algorithmic organisations of markets and infoscapes, ever-increasing logistical capacities for matter, information, and scaling material and virtual infrastructures, the emergence of proliferating non-human agencies as radically different inhabitants, and advancements in bio-genetic engineering – followed by crises of governance, unceasing techno-geopolitical frictions, and failing socioeconomics. This turbulence signals a transition to a new industrial, or even geological, epoch. Some view these developments as fundamentally anti-life; others see them as the natural and inevitable intensification of life’s own unrolling dynamism. These shifts prompt questions: What do we define as human, and what is its role in this unfolding context? What is autonomy, and how does the context enable coexistence? Do human-centric value models constrain imaginaries and trajectories beyond the human? Which of those trajectories do we want and need, if any? And how can research and practice, largely embedded in cultural domains, study and address these questions, work with them, and articulate emerging, undefined notions that demand not only new vocabulary but entirely new sociotechnical imaginaries?
2024 Institute for Postnatural Studies | Madrid, ESP PgD Postnatural Independent Program
2022-2023 Geidai University of the Arts | Tokyo, JPN Visting Researcher | Intermedia Arts department under supervision of prof. Kiyoshi Furokawa
2017 Strelka Institute: The New Normal | Moscow, RUS PgD Postgraduate research programme, directed by Benjamin H. Bratton
2014-2015 Central Saint Martins College | UAL London, GBR BA (Hons) Fine Arts, track 4D
2011-2016 Academy of Fine Arts | Vienna, AUT MFA Mag. in Arts & Digital Media
2009-2011 The Rodchenko Art School | Moscow, RUS BFA, Media Art | Class prof. Alexei Shulgin
2007-2008 The Gerlesborg School of Fine Art | Bohuslän, SWE Foundation studies
1998-2004 Art School №1 | St. Petersburg, RUS Prelimiary Artistic Studies
2017–2022 Artistic & design direction for Ethereum Swarm | A decentralised storage software on an Ethereum blockchain network
ZKM, Center for Art & Media, Karlsruhe, DEU; Colección Solo, Madrid, ESP; Cyland Video Archive, USA / RUS; MAMM Multimedia Art Museum Moscow, RUS; Ripley’s, Orlando, FL, USA; Sergey Kuryokhin Center for Modern Art, RUS
2024 Falling Walls | Winner in the Art & Science category | Berlin, DEU
2023 Lumen Prize | Award Winner | UK
2023 Austrian Blockchain Award in ‘Best smart technology’ | Vienna, AT
2023 S+T+ARTS Prize Honorary Mention | EU
2022 NTAA: New Technological Art Award | Jury Award Winner, BEL
2021 Re:Humanism, 2nd Edition | Winner, ITA
2020 Top 50 Most Promising Russian Artists by The Art Newspaper
2020 Lumen Prize | Shortlisted, GBR
2020 Born Digital Award nominee, WEB
2020 Listed in 49ART
2019 Kandinsky Prize | Young Artist of the Year nominee, RUS
2019 Garage Museum Art & Technology Grant winner, RUS | DEU
2019 Innovation Prize | New Generation nominee, RUS
2019 STARTS Residencies fellow, EU
2019 Kuryokhin Prize nominee, RUS
2018 Pulsar Prize Finalist | Paris, FRA
2017 New East 100 by Calvert Journal, GBR
2017 Innovation Prize | New Generation nominee, RUS
2015 Nova Art Prize nominee, RUS
2014 Kuryokhin Prize nominee, RUS
2014 Creative Enterprise Award nominee | London, GBR
2024 Engeneering Truth | Art Center Ongoing, Tokyo, JPN
2022 Lies, Half-Truths & Propaganda [The Bad, the Worse, and the Worst] | alexander levy, Berlin, DEU
2019 Human (un)limited | Ars Electronica Export, Moscow, RUS
2019 Content Aware Studies | Alexander Levy, Berlin, DEU
2018 Ákkta | Anna Nova Gallery, St. Petersburg, RUS
2014 Wanderings 2.0 | Rundum, Tallinn, EST
2012 Now is Just Right Now | Taiga Space, St. Petersburg, RUS
2008 State of Mine | Gerlesborgskolan, SWE
2024 Center Ongoing | Tokyo, JPN
2024 Postnatural Independent Program | Institute for Postnatural Studies, Madrid, ESP
2023 ArtEchó | Etopia, Zaragoza, ESP
2023 Escape Fake | Budapest, HUN
2022 Geidai Tokyo University of the Arts | Tokyo, JP
2019 STARTS Residency | University of Southhampton, GBR
2017 Wakefield Art House Nominee; Wakefield, GBR
2017 Quartariata Residency, St. Petersburg, RUS
2024
Hybrida Digital Series | Hybrida Space, Stockholm, SWE
2022
Everything will be fine | Tactical Tech, Berlin, DEU
2020
Athens Digital Arts Festival | New Aesthetic: Macht & Kontrolle - All Watched Over by Machines of Loving Grace | GRC
2019
Charon Cycle Screening | Tick Tack, Antwerp, BEL
Short Film Festival Cologne | DE
2018
To Touch The Sky | NCCA Kalinigrad, RUS
CYFEST11 Digital Video Art Program | New York | St. Petersburg
2017
Citizen 6 part of Art Athens | Athens, GRC
The New Normal Showcase | Strelka Institute, Moscow, RUS
Enclave Gallery | Ambient Intelligence | London, GBR
2016
Felt Book | Human Resources | Los Angeles, CA, USA
Felipe Castelblanco’s Program | Royal Academy America, NYC, USA
CYFEST Digital Media Program | Bogota, NYC, St.Petersburg, Mexico
2015
CYBERFEST at Salon Leisure and Fantasy | Bogota, St. Petersburg, Berlin, London, Vilnius, Moscow, New York
2024
Keynote at the Field of Art & Design for Spatial Experience Department | Joshibi University, Tokyo, JPN
MEET MEET | Digital Culture Center | Milan, ITA
Playshop 2024 | China Academy od Arts, Hangzhou, CHN
The Epoch of Transformative Technologies | Hangzhou, CHN
STRP Scenario x Baltan Laboratories Conference | Eindhoven. NDL
2023
PublicSpaces Conference 2023: For a Collective Internet | Amsterdam, NDL
Weizenbaum Conference | Berlin, DEU
2022
NECS Lecture Series “Content Aware and Other Case Studies” | European Network for Cinema and Media Studies
Histories of the Avant-garde and Contemporary Disruptive Technologies | NY, USA
2021
Art Machines 2 Conference | City University of Hong Kong, HKG
Politics of the Machine Conference, Rogue Research | Berlin University of the Arts, DEU
AI Artathon 2.0 | Riyadh, SA
2020
Winchester School of Arts | Talking Heads Lecture Series, GBR
Winchester School of Art | Guest seminar on AI and speculative narratives with AMT Research group prof Jussi Parikka & Ryan Bishop, GBR
2019
Content Aware Studies in conversation with Nadim Samman | Alexander Levy, Berlin, DEU
Human (un)limited | Ars Electronica Export, Moscow, RUS
LINK | Stiftung Niedersachsen | Kunstverein Hannover, DEU
2018
MMOMA, Daemons in the Machine | Artist Talk / Moscow, RUS
Impakt Festival | Panel "Black Boxes for Fiction Makers" | Utrecht, NLD
New Media Lab | Artist Talk | St.Petersburg, RUS
ITMO University | Artist Talk | St.Petersburg, RUS
Cyfest 11 | Artist Talk | St.Petersburg, RUS
2017
Smolny College | Series of talks | St. Petersburg, RUS
ICA, Institute of Contemporary Art | Artist Talk | Moscow, RUS
NCCA, National Center for Contemporary Art | Artist Talk | Moscow, RUS
2023 AETeCHO, Milan, Zaragoza, ITA, ES
2023 Escape Fake 2.0 co-funded by the European Union and the European Media and Information Fund. AUT | HUN
2021 BMKÖS Perspektiven. Innovation. Kunst, AUT
2019 STARTS Residencies, EU | GBR
2019 Garage, Art & Technology Programme, RUS
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
mail[at]kraft.studio
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























Site Index






















