Exhibited Work: Hashd0x installation
Duration: 9–21 April 2024
Event Type: Group Show
Curators: Irina Paraschivoiu, Thomas Layer-Wagner
Organizer: Expert Forum x Polycular
Venue: One World Festival, Bucharest, Romania
Museum of Fake explored the dynamics of disinformation, deep fakes, and post-truth media in contemporary society. Set in a near-future dystopia, the exhibition imagines a world fractured by manipulated narratives and the proliferation of political and technological tools that distort reality.
The show was inspired by the augmented reality project Escape Fake, in which participants engage with Hannah, a “quantum reality hacker” attempting to repair historical events and prevent the escalation of fake news. Within this context, the Museum of Fake operates as a narrative space where visitors encounter artworks confronting misinformation, historical reinterpretation, and the ethical implications of emergent technologies.
Egor Kraft’s Hashd0x installation engaged directly with these themes, reflecting on the socio-political and technological architectures that enable disinformation. Alongside Kraft, the exhibition featured works by international artists examining truth, perception, and media manipulation from multiple, sometimes contradictory perspectives, offering a critical reflection on the consequences of a post-truth culture.

Hashd0x, installation view. 2024.
Exhibited Work: Hashd0x installation
Duration: 9–21 April 2024
Event Type: Group Show
Curators: Irina Paraschivoiu, Thomas Layer-Wagner
Organizer: Expert Forum x Polycular
Venue: One World Festival, Bucharest, Romania
Museum of Fake explored the dynamics of disinformation, deep fakes, and post-truth media in contemporary society. Set in a near-future dystopia, the exhibition imagines a world fractured by manipulated narratives and the proliferation of political and technological tools that distort reality.
The show was inspired by the augmented reality project Escape Fake, in which participants engage with Hannah, a “quantum reality hacker” attempting to repair historical events and prevent the escalation of fake news. Within this context, the Museum of Fake operates as a narrative space where visitors encounter artworks confronting misinformation, historical reinterpretation, and the ethical implications of emergent technologies.
Egor Kraft’s Hashd0x installation engaged directly with these themes, reflecting on the socio-political and technological architectures that enable disinformation. Alongside Kraft, the exhibition featured works by international artists examining truth, perception, and media manipulation from multiple, sometimes contradictory perspectives, offering a critical reflection on the consequences of a post-truth culture.

Hashd0x, installation view. 2024.
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























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