Exhibited Works: CAS_V12 Deep Frieze, CAS_15.1 Deep Frieze, CAS_15.2 Deep Frieze, CAS_15.3 Deep Frieze, CAS_12.1 Caryatid Portrait, CAS_V10 Floating Portrait
Duration: 05.02–13.05.2022
Event type: Group Show
Organizer: Zebrastraat, Liedts-Meesen Foundation
Venue: Ghent, Belgium
The 2022 edition of the New Technological Art Award (NTAA’22), organised by the Liedts‑Meesen Foundation and held at Zebrastraat in Ghent, Belgium, is a landmark international competition and exhibition spotlighting artistic work at the nexus of culture and technology. With 836 submissions from 72 countries, the 2022 edition engaged a global jury to select groundbreaking projects that interrogate the role of technology within contemporary practice. Egor Kraft was nominated for his Content Aware Studies series, a body of work that employs machine‑learning algorithms to reconstruct fragmented classical artifacts—turning data‑driven systems into quasi‑archaeological tools and questioning the authorship, materiality and historicity of cultural heritage in the age of ubiquitous computation. The public and jury prizes recognised work that embodies innovation, collaboration and cultural relevance in technological art.

Installation view of NTAA’22 (New Technological Art Award), Zebrastraat, Ghent, Belgium, 2022.

CAS_V12 Deep Frieze, 2022

CAS_V10 Floating Portrait, 2022

CAS_15.1 Deep Frieze, 2021

CAS_15.3 Deep Frieze, 2021

CAS_15.2 Deep Frieze, 2021
Exhibited Works: CAS_V12 Deep Frieze, CAS_15.1 Deep Frieze, CAS_15.2 Deep Frieze, CAS_15.3 Deep Frieze, CAS_12.1 Caryatid Portrait, CAS_V10 Floating Portrait
Duration: 05.02–13.05.2022
Event type: Group Show
Organizer: Zebrastraat, Liedts-Meesen Foundation
Venue: Ghent, Belgium
The 2022 edition of the New Technological Art Award (NTAA’22), organised by the Liedts‑Meesen Foundation and held at Zebrastraat in Ghent, Belgium, is a landmark international competition and exhibition spotlighting artistic work at the nexus of culture and technology. With 836 submissions from 72 countries, the 2022 edition engaged a global jury to select groundbreaking projects that interrogate the role of technology within contemporary practice. Egor Kraft was nominated for his Content Aware Studies series, a body of work that employs machine‑learning algorithms to reconstruct fragmented classical artifacts—turning data‑driven systems into quasi‑archaeological tools and questioning the authorship, materiality and historicity of cultural heritage in the age of ubiquitous computation. The public and jury prizes recognised work that embodies innovation, collaboration and cultural relevance in technological art.

Installation view of NTAA’22 (New Technological Art Award), Zebrastraat, Ghent, Belgium, 2022.

CAS_V12 Deep Frieze, 2022

CAS_V10 Floating Portrait, 2022

CAS_15.1 Deep Frieze, 2021

CAS_15.3 Deep Frieze, 2021

CAS_15.2 Deep Frieze, 2021
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























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