A modified digital printer is able to continuously perform printing on a looped-back sheet of paper, running for two months, throughout the entire duration of the show, is repeatedly reproducing one line of text: I Print Therefore, I Am.

The multi-channel video installation portrays scenes of a future in which governance has largely been outsourced to AI. It is set in a highly automated Moscow in the year 2050.

Kickback is a series of interventions in global fast-fashion retail stores in which modified goods are returned for resale to offer critical commentary on current consumption–production ethics.

.A generative algorithmic moving image is synchronised to an audio clip. The morphing visuals choreograph explosions and billowing smoke, while the audio—the voices of senior diplomats from autocratic regimes—rationalises their ongoing war crimes.

Fact Caching protects investigative journalism. Censored archives are safeguarded against blocking by being hosted as tiny data bits across thousands of nodes on decentralised networks.

Installation Chinese ink comprises real-time GAN-generated imagery displayed on e-ink screens. Trained on inkblots, the system produces hundreds of variations per minute via a liquid-cooled GPU infused with ink. Unlike light-emitting displays, e-ink mimics pigment on paper. The work reflects on whether ink wash traditions can endure industrial transformation and whether computational simulation can reproduce the depth and subtlety of ink on rice paper.

Twelve Nodes addresses the importance of ethical issues in relation to the misuse of personal data and proposes a collective design for the Fair Data standard, inspired by the Twelve Tables – the first written legal code of ancient Rome.

As one approaches a mundane office desk with a computer, the screen flickers to life, and the cursor glides. The monitor displays a desktop with a folder named 'Sense of Existence'. The cursor hovers over it, clicks, and the folder unfolds to reveal sub-folders, each narrowing down the particular 'sense of existence' one might seek. The motion continues…

A three-metre object with LED-illuminated text engraving: 'http://this-is-the.link/between/the/real-and-virtual' is installed in public space, facing a 360-degree camera. The displayed URL leads to a live panoramic stream of the site itself, allowing viewers to inhabit the same moment both online and on location, collapsing the boundary between physical and virtual spaces.

An LED display board emits intense white light, repeating the text: “…This very moment has already become the past – This very mo…”. Placed in a time-based and spatial context, text stripped of its static properties expresses time’s flow, as a chanted mantra mediated via light, text, and motion as a monument to the irreversibility of time.