2022
NTAA’22, New Technological Art Award at Zebrastraat Ghent, BEL
He Aprendido Que Tienes Que Rezar Por Lo Que No Conoces at Sala Amós Salvador, Logroño, ESP
NEAR+FUTURES+QUASI+WORLDS at Palazzo Borsa, Bologna, ITA
Things at ART4 Museum, Moscow, RUS
Everything will be fine at Tactical Tech, Berlin, DEU
Codes and algorithms. Wisdom in a calculated world at Fundacion Telefonica, Madrid, ESP
Navigating the Digital Realm at DG Connect, Brussels, BEL
2021
Millennials in Contemporary Russian Art at Russian Museum, St.Petersburg RUS
Writing The History of the Future at ZKM, Karlsruhe, DEU
Re:Humanism 2 at MAXXI Museo Nazionale Delle Arti, Rome, ITA
You & AI: Through the Algorithmic Lens at Onassis Foundation, Athens, GRC
OSMOS, Fluid aesthetics in Electromuseum, Moscow, RUS
Charon Cycle Screening at Tick Tack, Antwerp, BEL
Content Aware Studies at Alexander Levy, Berlin, DEU
Human (un)limited at Ars Electronica Export, Moscow, RUS
2018
Cyfest 11 at Stieglitz Academy, St.Petersburg, RUS
Innovation as Method at Hermitage Museum, St.Petersburg, RUS
Vienna Contemporary, Solo Booth at Vienna, AUT
Future Unhuman at Quartariata Residency, St.Petersburg, RUS
Ákkta at Anna Nova Gallery, St. Petersburg, RUS
Open Codes at ZKM, Karlsruhe, DEU
Ars Electronica at The Galleries, Linz, AUT
Impakt Festival at Utrecht, NLD
2017
The New Normal Showcase at Strelka Institute, Moscow, RUS
Still Human | Colección Solo, Madrid, ESP |
Chaos Measure | Tsk19, Novosibirsk, RUS |
Accrochage | alexanderlevy gallery, Berlin, DEU |
2023
Acting Department Head (Permanent Head on Sabbatical) | Design Academy Eindhoven The Critical inquiry Lab | Eindhoven, NL |
Design Academy Eindhoven The Critical Inquiry Lab | Tutor / Master Thesis Mentorship | Eindhoven, NL |
A few stills from my public lecture at the Chinese academy of Art @chinaacademyofart in Hangzhou, where I had a great pleasure and very interesting three weeks teaching a course titled ‘Latent Spaces & Permission-less Dreams’ this July.
Witnessing the invasion in 2022 left me shattered — a horror that continues to unfold with devastating consequences. I'm grateful Content Aware Studies received the NTAA Jury Award that year, offering a small but meaningful response through art.
Over the past year—and most recently—I had the privilege of teaching my course Art and Image in the Contexts of AIs at Linz University of Arts (Visual Communication Department).
If you're in Brussels, join us tonight for the opening of the exhibition CODE & ALGORITHMS. WISDOM IN A CALCULATED WORLD at iMAL, Brussels.
While I’m coping with a terrible seasonal burn out after Ars Electronica and multiple other shows in a row. (more on which hopefully soon) Traditionally, here is an annual pic from Venezia.
As I’ve admittedly been falling behind on the usual social media rhythms—perhaps for a reason—I wanted to finally share a few stills from the Public Spaces Conference 2023: For a Collective Internet, held this year in my beloved Amsterdam.
This book holds a special place in my library. Published with the support of the European ARTificial Intelligence Lab, in partnership with Ars Electronica, it brings together contributions from 13 cultural and six scientific institutions across Europe.
CAS_15.1 Deep Frieze. 2021 Breccia marble, concrete, machine learning algorithms, unique synthetic dataset; dimensions: ~108x90cm. Produced with support from: Onassis Foundation & Garage Museum.
Who would have thought — a show in one of the EU headquarters nowadays. And this is despite the fact that my European residence permit has recently expired while I wait (still…) for long-awaited permanent residency — which for the time being renders my travels across the EU somewhat semi-legal.
A wonderful outdoor exhibition, Everything Will Be Fine, curated by the brilliant Tactical Tech, opened last week in front of Berlin’s Deutsches Technikmuseum as part of Berlin Art Week. The exhibition is accompanied by a screening programme hosted by Haus der Statistik (HAU).
Save the date: EVERYTHING WILL BE FINE, an outdoor exhibition by Tactical Tech, opens on 14 September at 7:00 PM outside the German Museum of Technology in Berlin. Co-produced by HAU Hebbel am Ufer, this large-scale public show investigates how technology influences the way people are informed, how they make decisions, and how they respond to contemporary global crises—from climate change and pandemics to political polarisation.
Decentralised Embargo (2022) is a provocative installation involving an electricity contract with EnBW (a known client of Gazprom Germania), a rack-mounted open-frame server with four Nvidia 3090 GPUs, a custom water-cooling loop, and Ethereum blockchain mining software.
Content Aware Studies
The New Color
Model Collapse Studies
Tactical Archiving
Exonomics
Air Kiss
words.works
Interpoesis
Auto-Esthetic Simulations
Early Work Archive
#ReverseArchaeology #SyntheticHistories #Cognitecture #AIsthetics #Engistemics
Initiated in 2017, ongoing.
Marble, polyamide, machine learning algorithms, custom software, original dataset, multichannel video installation.
A critical and technical exploration of the capacities of AI models to reconstruct missing fragments of objects from classical antiquity and generate synthetic historical documents carved in stone. This work questions the epistemological qualities of AI-accelerated historiography, akin to 'reverse archaeology'.
#Infodemics #Infollution #Knowlegistics #EngineeredTruth
Initiated in 2011, ongoing.
5-channel video installation; HD film; website: thenewcolor.net; book, edition of 50.
An online mystification concerning a parascientific breakthrough discovery of a never-before-seen colour. The digital myth took the form of a fictitious company's website, video adverts & mockumentary interviews to become a viral sensation attracting mass attention online.
#Cyberdolia #Infollution #Autoesthetics #Engistemics
A text-to-image AI model was given the prompt “A single chair on a white background.” After six iterations of retraining on its own outputs, the autocannibalised model lost ability to produce realistic chair images, but non-figurative digital noise instead. Thus revealing model collapse and its fragility to recursive data feedback loops.
#Autoesthtics #Cyberdolia #Engistemics
2025.
Written for Moscow Art Magazine №127
The essay explores the parallels between errors in AI image recognition and biases in human visual perception. It illustrates how both AI and humans misinterpret patterns for reasons that are both similar and different.
Site Index
Selected Series
Works Index
Aliquam a rutrum est, in porta orci. Praesent vitae lacus fermentum, pulvinar leo a, dictum enim. Curabitur sagittis libero ac consequat mattis. Mauris elit elit, malesuada at malesuada sit amet, ornare sed purus.
Bibliography
Aliquam a rutrum est, in porta orci. Praesent vitae lacus fermentum, pulvinar leo a, dictum enim. Curabitur sagittis libero ac consequat mattis. Mauris elit elit, malesuada at malesuada sit amet, ornare sed purus.
News
Shows
CV