
Duration: 14.09 - 13.12.2026
Exhibited work: One & Infinite Chairs (1&∞⑁) Film
Event type: Online Exhibition
Organizer: KADIST in collaboration with Centre Pompidou
Venue: Online
Do Our Chimeras Most Resemble Us? is the third chapter of a curatorial collaboration between KADIST and the Centre Pompidou, following the 2023 symposium The Future Is No Longer What It Used to Be and the 2024 exhibition Apophenias, Interruptions: Artists and Artificial Intelligences at Work. The project examines how contemporary artistic practices respond to the growing presence of generative artificial intelligence and its cultural, political, and epistemological implications.
The exhibition brings together ten international artists whose practices approach AI from diverse perspectives, addressing questions of prediction, datasets, visual culture, automation, technological ideology, and the relationship between human creativity and machine-generated imagery. The works are presented through a curated online rotation, with individual artists given dedicated temporal windows of display before a final collective phase.

Duration: 14.09 - 13.12.2026
Exhibited work: One & Infinite Chairs (1&∞⑁) Film
Event type: Online Exhibition
Organizer: KADIST in collaboration with Centre Pompidou
Venue: Online
Do Our Chimeras Most Resemble Us? is the third chapter of a curatorial collaboration between KADIST and the Centre Pompidou, following the 2023 symposium The Future Is No Longer What It Used to Be and the 2024 exhibition Apophenias, Interruptions: Artists and Artificial Intelligences at Work. The project examines how contemporary artistic practices respond to the growing presence of generative artificial intelligence and its cultural, political, and epistemological implications.
The exhibition brings together ten international artists whose practices approach AI from diverse perspectives, addressing questions of prediction, datasets, visual culture, automation, technological ideology, and the relationship between human creativity and machine-generated imagery. The works are presented through a curated online rotation, with individual artists given dedicated temporal windows of display before a final collective phase.
Egor 'Eji' Kraft (映治 克夫塔) is a conceptual artist, writer, filmmaker, and critical design researcher.
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
mail[at]kraft.studio
Egor 'Eji' Kraft (映治 克夫塔) is a conceptual artist, writer, filmmaker, and critical design researcher.
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014






















