Exhibited Works: CAS_05 Julia Mamea, CAS_06.2 Female Portrait, CAS_08 Hellenistic Ruler, CAS_09 Colossal head of Hercules, CAS_V03 Deep Portrait: 6 channel version
Duration: 15.05–19.05.2019
Event type: Group Show
Organizer: Center for Media Art Foundation
Venue: Center for Media Art Foundation, Wrocław, Poland
On its 30th anniversary, the WRO Biennale, Poland’s largest show of international contemporary art, which commenced as the International Sound Basis Visual Art Festival in 1989 and has explored the development of communication tools ever since, offers a critical scrutiny of processes unfolding in culture, communication, and society by examining the CZYNNIK LUDZKI / HUMAN ASPECT in a post-technological perspective.
Exhibition view
Exhibition view
Exhibited Works: CAS_05 Julia Mamea, CAS_06.2 Female Portrait, CAS_08 Hellenistic Ruler, CAS_09 Colossal head of Hercules, CAS_V03 Deep Portrait: 6 channel version
Duration: 15.05–19.05.2019
Event type: Group Show
Organizer: Center for Media Art Foundation
Venue: Center for Media Art Foundation, Wrocław, Poland
Exhibition view
Exhibition view
On its 30th anniversary, the WRO Biennale, Poland’s largest show of international contemporary art, which commenced as the International Sound Basis Visual Art Festival in 1989 and has explored the development of communication tools ever since, offers a critical scrutiny of processes unfolding in culture, communication, and society by examining the CZYNNIK LUDZKI / HUMAN ASPECT in a post-technological perspective.
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail/at/kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
#ReverseArchaeology #SyntheticHistories #Cognitecture #AIsthetics #Engistemics
Initiated in 2017, ongoing.
Marble, polyamide, machine learning algorithms, custom software, original dataset, multichannel video installation.
A critical and technical exploration of the capacities of AI models to reconstruct missing fragments of objects from classical antiquity and generate synthetic historical documents carved in stone. This work questions the epistemological qualities of AI-accelerated historiography, akin to 'reverse archaeology'.
#Infodemics #Infollution #Knowlegistics #EngineeredTruth
Initiated in 2011, ongoing.
5-channel video installation; HD film; website: thenewcolor.net; book, edition of 50.
An online mystification concerning a parascientific breakthrough discovery of a never-before-seen colour. The digital myth took the form of a fictitious company's website, video adverts & mockumentary interviews to become a viral sensation attracting mass attention online.