Wanderings 2.0 presents a curated selection of Egor Kraft’s explorations in digital topography and immersive virtual environments. In collaboration with Alexander Lezius, Kraft transforms the computer interface into a lens for aesthetic and philosophical inquiry, examining the tension between perception and simulation.
Projected in high-definition, the works reconstruct the hypnotic beauty of virtual landscapes, echoing the romantic ideals of classical painting while foregrounding the cold artificiality of polygonal digital worlds. Through these visual journeys, the exhibition probes the nature of experience in simulated environments, questioning how virtuality shapes our understanding of space, memory, and the sublime. The act of wandering becomes both a poetic engagement and a critique of the alienation inherent in contemporary digital culture.
This presentation situates Kraft’s work within the discourse of post-digital aesthetics, emphasizing the convergence of computational precision, immersive storytelling, and conceptual reflection on human perception.
Exhibition trailer, 2015

'This Very Moment' installation

'This Very Moment' installation fragment

'I Print, Therefore I Am' installation

'Kickback' installation fragment

'Unfolding' installation

'Wandering 2.0' video installation

Exhibition view
Wanderings 2.0 presents a curated selection of Egor Kraft’s explorations in digital topography and immersive virtual environments. In collaboration with Alexander Lezius, Kraft transforms the computer interface into a lens for aesthetic and philosophical inquiry, examining the tension between perception and simulation.
Projected in high-definition, the works reconstruct the hypnotic beauty of virtual landscapes, echoing the romantic ideals of classical painting while foregrounding the cold artificiality of polygonal digital worlds. Through these visual journeys, the exhibition probes the nature of experience in simulated environments, questioning how virtuality shapes our understanding of space, memory, and the sublime. The act of wandering becomes both a poetic engagement and a critique of the alienation inherent in contemporary digital culture.
This presentation situates Kraft’s work within the discourse of post-digital aesthetics, emphasizing the convergence of computational precision, immersive storytelling, and conceptual reflection on human perception.
Exhibition trailer, 2015

'This Very Moment' installation

'This Very Moment' installation fragment

'I Print, Therefore I Am' installation

'Kickback' installation fragment

'Unfolding' installation

'Wandering 2.0' video installation

Exhibition view
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























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