On my way to Venice to present a paper and a recent work as part of the conference The Ethics and Aesthetics of Artificial Images, taking place at Iuav University and Venice International University during the opening days of the 19th Venice Architecture Biennale. Where yours truly happens to be presenting the latest work, film and paper on model collapse, oddly titled 1 & ∞ ⑁. The conference is truly promising, with an outstanding programme including such brilliant scholars as Matteo Pasquinelli, Lev Manovich @levmanovich, Antonio Somaini @antonio.somaini , Neta Alexander, Francesco D’Isa, Neil Leach, Joanna Zylinska @joanna.zylinska and many brilliant others, who will be contributing talks, discussions and reflections on the philosophical, artistic and cultural implications of AI-generated imagery - its potentials, politics and poetics. #enroute # #Cognitecture #EngineeredEpistemics #Synthetic_Cognitions #Computational_Ecologies #Networked_Sovereignties #kraftblog
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014
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