I couldn’t write about it before. Witnessing the full-scale invasion in early 2022 left me speechless — and honestly, I still am. What began then has only spiraled further into a humanitarian catastrophe, one we must not allow to become normalised.
In the midst of this horror, I tried to stay sane through activist and artistic work. One such project, Content Aware Studies, received the New Technological Art Jury Award in 2022 and was later exhibited in Ghent. I’m humbled it stood alongside such exceptional work and in the company of artists I’ve admired for years — including past nominees like Sol LeWitt, Nam June Paik, and Chris Cunningham.
The award returns this year. I wish the best to all the artists involved. I remain deeply grateful to those who supported CAS and its unfolding.
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014
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