Content-aware-fill the gaps within historical records, like one fills a selected area of pixels in common image editing software. Or do not. Augmentation of any knowledge with synthetic epistemics of computed automations is inevitable. Or is it? Content Aware Studies is currently on view at Charim Galerie, Dorotheergasse, Vienna, as part of the curated by_ Vienna festival, actually curated by @julesandaet. Marble, polyamide, machine learning algorithms, 3D scanning, 3D printing, video installation; Began in 2017, the series of works is an inquiry into reverse-archeology via technologies of artificial neural networks & machine learning systems to reconstruct missing fragments within the sculptures of classical antiquity as well as to exercise speculative object-oriented historicism of never-existed, yet algorithmically genuine, documents of synthetic histories. As always I remain beyond thankful to everyone who worked with me on this series over the years.
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014
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