
'Proof of War' Installation exhibition view

Decentralised Embargo, 2022
EnBW (client of Gazprom Germania) electricity contract, rack case, open frame server including four Nvidia 3090 GPUs, custom water loop, Ethereum blockchain mining software.

PropaGAN, 2022
Small format custom build server, steel open frame chassis and frame, machine learning algorithms, custom dataset, stereo sound. Available as a hardware sculpture or a single channel video on a square screen (model: Eizo flexScan EV2730Q, seen in the exhibition)

Uncensorship Architecture Series, 2022
Electronic Ink screens, Plexiglass, Swarm Blockchain and Swarm Nodes, Fragments of films of investigative journalists. Could be discounted incase of dyptich, tryptich, etc
Exhibited Works: Decentralised Embargo, PropaGAN, Proof of War Installation, Uncensorship Architecture Series, I Print, Therefore I Am
Duration: 29.04–11.06.2022
Event type: Solo Show
Organizer: alexanderlevy gallery
Venue: alexanderlevy gallery, Berlin, Germany
In Lies, Half-Truths & Propaganda [The Bad, the Worse, and the Worst] Russian-Austrian artist Egor Kraft opens up questions about these ideas, and the possibilities these new technologies are able to offer to counterweight and work against the realities of propaganda and misinformation during a time of war. The artworks presented all deal with the notion of censorship, archiving, preservation and how to create and consider solutions and alternatives to counterpoise fake news, manipulated images, and misinformation.

'Proof of War' Installation exhibition view
Exhibited Works: Decentralised Embargo, PropaGAN, Proof of War Installation, Uncensorship Architecture Series, I Print, Therefore I Am
Duration: 29.04–11.06.2022
Event type: Solo Show
Organizer: alexanderlevy gallery
Venue: alexanderlevy gallery, Berlin, Germany
In Lies, Half-Truths & Propaganda [The Bad, the Worse, and the Worst] Russian-Austrian artist Egor Kraft opens up questions about these ideas, and the possibilities these new technologies are able to offer to counterweight and work against the realities of propaganda and misinformation during a time of war. The artworks presented all deal with the notion of censorship, archiving, preservation and how to create and consider solutions and alternatives to counterpoise fake news, manipulated images, and misinformation.

Decentralised Embargo, 2022
EnBW (client of Gazprom Germania) electricity contract, rack case, open frame server including four Nvidia 3090 GPUs, custom water loop, Ethereum blockchain mining software.

PropaGAN, 2022
Small format custom build server, steel open frame chassis and frame, machine learning algorithms, custom dataset, stereo sound. Available as a hardware sculpture or a single channel video on a square screen (model: Eizo flexScan EV2730Q, seen in the exhibition)

Uncensorship Architecture Series, 2022
Electronic Ink screens, Plexiglass, Swarm Blockchain and Swarm Nodes, Fragments of films of investigative journalists. Could be discounted incase of dyptich, tryptich, etc
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
mail[at]kraft.studio
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























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