Exhibited Work: 'Unfolding' Installation
Duration: 12 October–6 November 2011
Event type: Group Show
Organizer: A. Rodchenko Moscow School of Photography and Multimedia
Venue: MOMMA, Moscow, Russia
The INDI_VISUAL exhibition explored the shifting conditions of perception and authorship in contemporary art, focusing on how emerging artists negotiate the limits of vision and the aesthetic exhaustion of modernity. The curators positioned the show as a reflection on “post-interactive art” — a state in which interactivity has become an inherent quality of cultural experience rather than a technological novelty.
Within this context, Egor Kraft’s installation Unfolding presented a poetic and conceptual dialogue between algorithmic processes and human cognition. The work examined how meaning and form evolve autonomously within systems of data and language, questioning the boundaries between authorship, observation, and interpretation. By embedding computational logic within an aesthetic framework, Kraft’s Unfolding embodied the exhibition’s core idea: that contemporary art no longer seeks direct interactivity but instead operates within complex, self-reflective systems of perception.
INDI_VISUAL brought together a generation of young artists who, as the curators described, “overcome the repression of conventional vision with the unconditionality of their own imagination,” marking a moment of renewal in the dialogue between technology, subjectivity, and aesthetic thought.

'Unfolding' still, 2011

'Unfolding' Installation, 2011
Exhibited Work: 'Unfolding' Installation
Duration: 12 October–6 November 2011
Event type: Group Show
Organizer: A. Rodchenko Moscow School of Photography and Multimedia
Venue: MOMMA, Moscow, Russia
The INDI_VISUAL exhibition explored the shifting conditions of perception and authorship in contemporary art, focusing on how emerging artists negotiate the limits of vision and the aesthetic exhaustion of modernity. The curators positioned the show as a reflection on “post-interactive art” — a state in which interactivity has become an inherent quality of cultural experience rather than a technological novelty.
Within this context, Egor Kraft’s installation Unfolding presented a poetic and conceptual dialogue between algorithmic processes and human cognition. The work examined how meaning and form evolve autonomously within systems of data and language, questioning the boundaries between authorship, observation, and interpretation. By embedding computational logic within an aesthetic framework, Kraft’s Unfolding embodied the exhibition’s core idea: that contemporary art no longer seeks direct interactivity but instead operates within complex, self-reflective systems of perception.
INDI_VISUAL brought together a generation of young artists who, as the curators described, “overcome the repression of conventional vision with the unconditionality of their own imagination,” marking a moment of renewal in the dialogue between technology, subjectivity, and aesthetic thought.

'Unfolding' still, 2011

'Unfolding' Installation, 2011
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
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