Exhibited Works: CAS_V05 Synthetic Portrait: Vertical Version, CAS_V08 Deep Portrait: 12 channel version, CAS_04 Parthenon_South_XI_31, CAS_10 Telephos Drapery, CAS_V06 Parthenon Frieze Misconstructions, CAS_V01 Parthenon Frieze Latent Space, CAS_13.2 Augmented Hercules, CAS_12.1 Caryatid Portrait
Duration: 27.11–29.02.2020
Event type: Solo show
Organizer: Ars Electronica
Venue: Moscow, Russia
Egor Kraft works at the intersection of arts, media, technology, film, critical design and research. Egor's work finds itself on the boundary between reality and its virtual misrepresentation, involving artificial information systems, computational technologies, films, and interventions often in conjunction with traditional media. As part of his research-based practice, he tends to develop speculative narratives questioning the co-existence of human irrational reasoning and ubiquitous impartial and quantitative orders rendered by machinic agency and technologies of today and tomorrow.
Structures of exponentially increasing capacities, synthetic intelligence, data monopolies as power structures, ubiquitous mechanic analysis and interpretation, planetary-scale computation, techno-politics vs geopolitics, speculative crypto-economies, DNA design and genetic machine developments – all these and many other cognitive perspectives reconstitute the aspect of human and a new geological epoch.
In how far is the human aspect subject to technology? To what degree and from what viewpoint is the human aspect autonomous, unpredictable, faulty, or irrational? How shall this human aspect coexist along with the precise, ubiquitous machinic automated organisation? Having once seen the surface under a microscope, we will never again see it as we knew it before. How may we redefine the ‘human’ after seeing the world through the lens other synthetic forms of perception and thinking? Investigating these political, ethical, philosophical and aesthetic questions constitutes new challenges for artistic production, as a primarily ‘human’ project.
Exhibition View
CAS_V05 Synthetic Portrait: Vertical Version
CAS_V08 Deep Portrait: 12 channel version
CAS_V08 Deep Portrait: 12 channel version
CAS_04 Parthenon_South_XI_31
CAS_10 Telephos Drapery
CAS_V01 Parthenon Frieze Latent Space and CAS_05 Julia Mamea
CAS_V06 Parhtenon Frieze Misconstructions
Exhibited Works: CAS_V05 Synthetic Portrait: Vertical Version, CAS_V08 Deep Portrait: 12 channel version, CAS_04 Parthenon_South_XI_31, CAS_10 Telephos Drapery, CAS_V06 Parthenon Frieze Misconstructions, CAS_V01 Parthenon Frieze Latent Space, CAS_13.2 Augmented Hercules, CAS_12.1 Caryatid Portrait
Duration: 27.11–29.02.2020
Event type: Solo show
Organizer: Ars Electronica
Venue: Moscow, Russia
Exhibition View
CAS_V05 Synthetic Portrait: Vertical Version
CAS_V08 Deep Portrait: 12 channel version
CAS_V08 Deep Portrait: 12 channel version
CAS_04 Parthenon_South_XI_31
CAS_10 Telephos Drapery
CAS_V01 Parthenon Frieze Latent Space and CAS_05 Julia Mamea
CAS_V06 Parhtenon Frieze Misconstructions
Egor Kraft works at the intersection of arts, media, technology, film, critical design and research. Egor's work finds itself on the boundary between reality and its virtual misrepresentation, involving artificial information systems, computational technologies, films, and interventions often in conjunction with traditional media. As part of his research-based practice, he tends to develop speculative narratives questioning the co-existence of human irrational reasoning and ubiquitous impartial and quantitative orders rendered by machinic agency and technologies of today and tomorrow.
Structures of exponentially increasing capacities, synthetic intelligence, data monopolies as power structures, ubiquitous mechanic analysis and interpretation, planetary-scale computation, techno-politics vs geopolitics, speculative crypto-economies, DNA design and genetic machine developments – all these and many other cognitive perspectives reconstitute the aspect of human and a new geological epoch.
In how far is the human aspect subject to technology? To what degree and from what viewpoint is the human aspect autonomous, unpredictable, faulty, or irrational? How shall this human aspect coexist along with the precise, ubiquitous machinic automated organisation? Having once seen the surface under a microscope, we will never again see it as we knew it before. How may we redefine the ‘human’ after seeing the world through the lens other synthetic forms of perception and thinking? Investigating these political, ethical, philosophical and aesthetic questions constitutes new challenges for artistic production, as a primarily ‘human’ project.
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014
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