Exhibited Works: CAS_V05 Synthetic Portrait: Vertical Version, CAS_V08 Deep Portrait: 12 channel version, CAS_04 Parthenon_South_XI_31, CAS_10 Telephos Drapery, CAS_V06 Parthenon Frieze Misconstructions, CAS_V01 Parthenon Frieze Latent Space, CAS_13.2 Augmented Hercules, CAS_12.1 Caryatid Portrait
Duration: 27 November 2019 – 29 February 2020
Event type: Group show
Organizer: Ars Electronica | Hyundai Motorstudio
Curator: Martin Honzik (Ars Electronica)
Venue: Moscow, Russia
The exhibition examined the notion of human potential and limitation in the era of algorithmic and machinic agency. It asked: what happens to the human when automation, data‑driven systems, and synthetic intelligences become integral to everyday life? Kraft’s contributions explored these questions by positioning classical sculpture, AI‑generated form, and digital processes in tension - highlighting the co‑presence of human irrationality and mechanised order, and re‑imagining what it means to be “human” in a world shaped by ubiquitous computation.

Installation view of the Content Aware Studies series at Human (Un)limited, Moscow, 2019–2020.

CAS_V05 Synthetic Portrait: Vertical Version

CAS_V08 Deep Portrait: 12 channel version

CAS_V08 Deep Portrait: 12 channel version

CAS_04 Parthenon_South_XI_31

CAS_10 Telephos Drapery

CAS_V01 Parthenon Frieze Latent Space and CAS_05 Julia Mamea

CAS_V06 Parhtenon Frieze Misconstructions
Exhibited Works: CAS_V05 Synthetic Portrait: Vertical Version, CAS_V08 Deep Portrait: 12 channel version, CAS_04 Parthenon_South_XI_31, CAS_10 Telephos Drapery, CAS_V06 Parthenon Frieze Misconstructions, CAS_V01 Parthenon Frieze Latent Space, CAS_13.2 Augmented Hercules, CAS_12.1 Caryatid Portrait
Duration: 27 November 2019 – 29 February 2020
Event type: Group show
Organizer: Ars Electronica | Hyundai Motorstudio
Curator: Martin Honzik (Ars Electronica)
Venue: Moscow, Russia
The exhibition examined the notion of human potential and limitation in the era of algorithmic and machinic agency. It asked: what happens to the human when automation, data‑driven systems, and synthetic intelligences become integral to everyday life? Kraft’s contributions explored these questions by positioning classical sculpture, AI‑generated form, and digital processes in tension - highlighting the co‑presence of human irrationality and mechanised order, and re‑imagining what it means to be “human” in a world shaped by ubiquitous computation.

Installation view of the Content Aware Studies series at Human (Un)limited, Moscow, 2019–2020.

CAS_V05 Synthetic Portrait: Vertical Version

CAS_V08 Deep Portrait: 12 channel version

CAS_V08 Deep Portrait: 12 channel version

CAS_04 Parthenon_South_XI_31

CAS_10 Telephos Drapery

CAS_V01 Parthenon Frieze Latent Space and CAS_05 Julia Mamea

CAS_V06 Parhtenon Frieze Misconstructions
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
Egor G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Tokyo, Mishuku, JPN
Vienna, Neubau, AUT
mail[at]kraft.studio
Egor G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
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1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























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