Exhibited Works: CAS_09 Colossal Head of Hercules, CAS_V01 Parthenon Frieze Latent Space, CAS_13.2 Augmented Hercules, CAS_12.1 Caryatid Portrait, CAS_05 Julia Mamea, CAS_06.2 Female Portrait, CAS_07 Telephos Frieze, CAS_V11 Deep Portrait, CAS_04 Parthenon_South_XI_31, CAS_V03 Deep Portrait: 6‑channel version
Duration: 9 March – 13 April 2019
Event type: Solo show
Curator: Nadim Samman
Organizer: alexander levy Gallery
Venue: alexander levy Gallery, Berlin, Germany
The 2019 solo exhibition at Alexander Levy Gallery presented Content Aware Studies, a series exploring the reconstruction of lost fragments from Late Antiquity and Hellenistic sculptures through generative and algorithmic processes. Curated by Nadim Samman, the show highlighted the intersection of art, archaeology, and machine learning, where AI-driven algorithms filled gaps in 2D and 3D models to produce quasi-archaeological reconstructions. The exhibition invited viewers to reflect on the role of computation in shaping historical narratives and cultural memory, questioning the boundaries between human and machine authorship while engaging with the ethical and aesthetic implications of digitally mediated heritage.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.
Exhibited Works: CAS_09 Colossal Head of Hercules, CAS_V01 Parthenon Frieze Latent Space, CAS_13.2 Augmented Hercules, CAS_12.1 Caryatid Portrait, CAS_05 Julia Mamea, CAS_06.2 Female Portrait, CAS_07 Telephos Frieze, CAS_V11 Deep Portrait, CAS_04 Parthenon_South_XI_31, CAS_V03 Deep Portrait: 6‑channel version
Duration: 9 March – 13 April 2019
Event type: Solo show
Curator: Nadim Samman
Organizer: alexander levy Gallery
Venue: alexander levy Gallery, Berlin, Germany
The 2019 solo exhibition at Alexander Levy Gallery presented Content Aware Studies, a series exploring the reconstruction of lost fragments from Late Antiquity and Hellenistic sculptures through generative and algorithmic processes. Curated by Nadim Samman, the show highlighted the intersection of art, archaeology, and machine learning, where AI-driven algorithms filled gaps in 2D and 3D models to produce quasi-archaeological reconstructions. The exhibition invited viewers to reflect on the role of computation in shaping historical narratives and cultural memory, questioning the boundaries between human and machine authorship while engaging with the ethical and aesthetic implications of digitally mediated heritage.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.

Content Aware Studies, solo show, alexander levy gallery, Berlin, Germany, 2019.
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
mail[at]kraft.studio
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
Content Aware Studies, 2017-2025
The New Color, 2011-2018
1 & ∞ ⑁ One & Infinite Chairs, 2023
Hashd0x. Proof of War, 2022
Decentralised Embargo, 2022
Ais Kiss, 2017
Chinese Ink, 2018
PropaGAN, 2022
URL Stone, 2015
The Link, 2015
Twelve Nodes, 2019
Scatterchive
I Print, Therefore I Am, 2014
Kickback, 2014
Unfolding, 2011
The Moment, The Past, 2014























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