Exhibited Work: Twelve Nodes (video documentation)
Duration: 4 September – 27 September 2020
Event type: Group Show
Curators: Helena Nikonole, Olga Vad
Organizer: Ars Electronica
Venue: Moscow, Russia
The exhibition Datasets vs Mindsets explored the intersections of digital technologies and social realities in Post-Soviet contexts, highlighting how local histories, cultures, and infrastructures shape the adoption and adaptation of algorithmic tools. By focusing on several generations of new media artists from these countries, the project interrogated the boundaries between virtual and physical spaces, examining how digitalisation mediates everyday life, social structures, and artistic practices. Through works such as Egor Kraft’s Twelve Nodes, the exhibition addressed the implications of algorithmic regulation and control, while reflecting on the ethical, political, and aesthetic consequences of pervasive computational systems. The show emphasized the critical role of artistic practice in making visible the often-invisible logics of digital governance, offering a nuanced perspective on technology as both a medium and a socio-cultural force.
Exhibition Trailer, 2020
Exhibited Work: Twelve Nodes (video documentation)
Duration: 4 September – 27 September 2020
Event type: Group Show
Curators: Helena Nikonole, Olga Vad
Organizer: Ars Electronica
Venue: Moscow, Russia
The exhibition Datasets vs Mindsets explored the intersections of digital technologies and social realities in Post-Soviet contexts, highlighting how local histories, cultures, and infrastructures shape the adoption and adaptation of algorithmic tools. By focusing on several generations of new media artists from these countries, the project interrogated the boundaries between virtual and physical spaces, examining how digitalisation mediates everyday life, social structures, and artistic practices. Through works such as Egor Kraft’s Twelve Nodes, the exhibition addressed the implications of algorithmic regulation and control, while reflecting on the ethical, political, and aesthetic consequences of pervasive computational systems. The show emphasized the critical role of artistic practice in making visible the often-invisible logics of digital governance, offering a nuanced perspective on technology as both a medium and a socio-cultural force.
Exhibition Trailer, 2020
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
mail[at]kraft.studio
Ikejiri, Setagaya, Tokyo, Japan
Neubau, Vienna, Austria
mail[at]kraft.studio
E. G. Kraft – artist-researcher, founder
Anna Kraft – researcher, director
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Twelve Nodes, 2019
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I Print, Therefore I Am, 2014
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The Moment, The Past, 2014























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