2014. Modified printer, plotter paper, 5 litres of ink.

A modified digital printer is able to continuously perform printing on a looped-back sheet of paper, running throughout the entire duration of the show (two month), is repeatedly reproducing one line of text: ‘I Print Therefore, I Am’.

2017. Film, 19’34”, 5-ch. video installation, book.
A film, presented in a form of 5-channel video installation, looking at a near future, where governance has largely been outsourced to Artificial Intelligence in the speculative context of Moscow in 2050 where a high degree of automation is present.

2014. White t-shirts, film; duration: 02'19".

A series of interventions, where an newly purchased plain white T-shirts from a fast-fashion clothing chain, were screen printed with the short text messages, and returned them for a refund. Unaware of the modification, the store restocked the T-shirts with artists messages, featuring them in the store prominently displayed and available for purchasing.

2022; Small format custom build server, steel open frame chassis and frame, machine learning algorithms, custom dataset, stereo sound;
The generative GAN Algorithm is synced to an audio file to which it matches the ongoing morphing moving image based on a dataset of explosions, smoke and clouds.

2022. E-ink screens, plexiglass, open-source software, fragments of films by investigative journalists.
The Exo-Censorship Tactical Proposal protects investigative journalism. Censored archives are safeguarded against blocking by being hosted as tiny data bits across thousands of nodes on decentralised networks.

2018. E-ink screens, GAN Ai model, custom assembled dataset, custom-loop server; custom developed playback software driver.
E-ink screens are set to display moving images streamlined by an AI (GAN) algorithm trained on images of inkblots and set to generate similar images at the rate of thousands a minute.

2019; Marble, e-ink screens, custom software & circuit boards, flag.
'Twelve Nodes' addresses the importance of ethical issues in relation to the misuse of personal data and proposes a collective design for the Fair Data standard, inspired by the Twelve Tables – the first written legal code of ancient Rome.

2011. Movement sensor, PC, film; duration: 1'35''.
The general human question infinitely sinks in the depths of a sequence of virtual space architecture. Each new mouse click takes us away from an answer and question just as each following step of the development of media environment and virtualization moves us further away from the understanding of what makes reality real.

A 3-metre metal and plexiglass object with LED-lit engraved text — http://this-is-the.link/between/the/real-and-virtual — is displayed in public spaces with a 360° camera. The URL, also a full sentence, leads to a live panoramic video stream of the installation site.

2014; LED display board; documentation film: 01’13”

Emitting the brightest possible cold, white light - the text running across the LED display board repetitively states: “...This very moment, has already become the past – This very moment, has already become the...”