Egor Kraft's "Content Aware Studies Series" initiates an inquiry into the possibilities of Artificial Intelligence and particularly Machine Learning to reconstruct and generate lost antique friezes and sculptures by the means of algorithmic analysis of 3D scans of antiquity. It concerns the potentialities of methods involving data, ML, AI and other forms of automation turning into semi- and quasi– archaeological knowledge production and interpretations of history and culture in the era of ubiquitous computation.